Further experiments with painting the human figure, and looking at classical poses reinterpreted. Whilst looking at classical poses and how to reinterpret them for the contemporary audience I am also looking at how to get movement and a sense of the time involved in putting together a painting. I have used the quick drawings made in the life room and reworked them and layered up multiple images in an attempt to get a sense of the development of an image.
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AuthorSue works in mixed media with a particular focus on acrylics, textiles, and photography. Archives
March 2017
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